To celebrate the festival on the 15th day of the first month in the Chinese Lunar calendar, the Forbidden City was lit up with giant red lanterns and projections of ancient paintings in a Chinese New Year-themed exhibition.
The grand palace cluster offered an experience that echoed down the centuries like a new year's celebration in the Qing Dynasty (1644-1911) imperial court of old, in concert with the happiness of reunion of the traditional Chinese festival.
Masterpieces such as Along the River During the Qingming Festival were projected on the tile roofs, giving visitors a feeling like walking through time. They also enjoyed a pipa, or Chinese lute, performance by the China National Traditional Orchestra.
All tickets sold out, but the museum made sure to invite pioneers and representatives of industries including couriers, sanitation workers, firefighters, People's Liberation Army soldiers and armed police to see the lights and enjoy the scenery. Many who couldn't get tickets huddled outside the ruddy royal walls.
- In this Tuesday, Feb. 19, 2019, photo, lanterns is decorated near a Turret of the Forbidden City projected with lights for the Lantern Festival in Beijing.© AP Photo / Andy Wong
- Visitors tour the Forbidden City projected with colorful lights during the Lantern Festival in Beijing, Tuesday, Feb. 19, 2019.© AP Photo / Andy Wong
- Visitors tour the Forbidden City decorated with red lanterns and illuminated with lights during the Lantern Festival in Beijing, Tuesday, Feb. 19, 2019.© AP Photo / Andy Wong
"It makes me excited to see the Forbidden City at night for the first time," said Xue Ying, a volunteer security coordinator invited in for the view.
"It's totally different from its view in the daytime. The Palace Museum is solemn in the daytime, but quite dreamy at night that makes me love it more."
Public excitement crashed the online registration system that only allocated a limited number of free entry passes.
The lantern festival show was reported by Chinese media as part of the Palace Museum's ongoing efforts to explore more innovative means of connecting with the wider public and the illuminations lent a diverse charm and a new face to old relics.
This article originally appeared on the Global Times website