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3D Printer Lifts up Rembrandt's Paintbrush 347 Years Later

© Photo : Youtube / The Next RembrandtThe Next Rembrandt
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Computer scientists and art historians have combined their skills to revisit the painting style of Rembrandt, using a database of the Dutch master's work.

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A collaboration of data technicians from Microsoft and specialists from Dutch universities have completed an 18-month project to produce a 'new' portrait by Rembrandt, one of Europe's greatest painters; the original Dutch master lived from 1606 to 1669.

They examined the classical painter's entire collection of work, some 346 paintings that yielded 150 gigabytes of digitally rendered graphics.

"There’s a lot of Rembrandt data available — you have this enormous amount of technical data from all these paintings from various collections. And can we actually create something out of it that looks like Rembrandt? That’s an appealing question," said Joris Dik from the Delft University of Technology.

Their statistics showed that that the majority of Rembradt's paintings were created between 1632 and 1642. In order to determine who the subject of the new painting should be, they analyzed everything from age and head direction to the amount of facial hair present.

The experts explain how "The Next Rembrandt" was created.

"After studying the demographics, the data lead us to a conclusive subject: a portrait of a Caucasian male with facial hair, between the ages of thirty and forty, wearing black clothes with a white collar and a hat, facing to the right," the researchers explained.

In order to stay accurate to the style of Rembrandt, who has been called "The Master of Light and Shadow," the technicians designed a software system to generate the painting's features, based on the artist's use of geometry, composition, and painting materials. A facial recognition algorithm identified and classified the most typical geometric patterns used by Rembrandt to paint human features. 

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After completing the 2D image, the experts studied 3D scans of Rembrandt's paintings to create a height map for the 3D printer, using two different algorithms that found texture patterns of canvas surfaces and layers of paint. 

"In the end, we printed thirteen layers of ink, one on top of the other, to create a painting texture true to Rembrandt's style."

"It would have been interesting to see Rembrandt looking at it. He would be happy that there are people trying to understand him and trying to create something out of that," the team said.

​On April 5, the new painting (above) was unveiled in Amsterdam's Looiersgracht 60 exhibition center.

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